美学与哲学的同构——重审杜威美学的意义
岳洋
中国社会科学院研究生院 哲学系, 北京 102488
起止页码: 98--103页
DOI:
摘要：
通过“经验”，杜威使其哲学理论在方法论和真理论上导向了审美；在美学中，他又表达了“一个经验”在审美性和完整性上的同构，由此将审美性视为对哲学的引导。在杜威的思想理论中，哲学与美学所形成的运动闭环，使其区别于以哲学剥夺美学的思想传统。他对哲学中“经验”地位的提升及对审美性在完善“经验”中作用的烘托，是为了恢复感性因素、时间性、流变性等要素在哲学中的作用。正因为杜威的哲学与美学间的同构性，其美学理论才更凸显了其超越于一般审美理论的意义。
Isomorphism of Aesthetics and Philosophy——Reexamining the Significance of Dewey's Aesthetics
YUE Yang
Department of Philosophy, Graduate School of Chinese Academy of Social Sciences, Beijing 102488, China
Abstract:
By the concept of “experience”, Dewey made his philosophical theory methodologically and truthfully orient towards aesthetics. In aesthetics, he expressed the isomorphism of “an experience” in terms of aestheticity and completeness, thus seeing aesthetics as a guide to philosophy. In Dewey's theory of thought, the closed loop of movement formed by philosophy and aesthetics distinguishes it from the tradition of thought that deprives aesthetics with philosophy. His elevation of the status of “experience” in philosophy and the role of aesthetics in the refinement of “experience” are aimed at restoring the role of perceptual, temporal and fluid elements in philosophy. It is precisely because of the isomorphism between Dewey's philosophy and aesthetics that his aesthetic theory is all the more striking for its significance beyond general aesthetic theory.
收稿日期: 2020-05-27
基金项目:
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