“五四”时代影响下的文学碰撞与精神统一——浅谈“五四”新式短篇小说与传统长篇章回体小说之辨
薛熹祯
北京大学 外国语学院, 北京 100871
起止页码: 44--48页
DOI:
摘要：
“五四”时期，是新与旧的激烈碰撞、认知的飞速跃升，文学实践者借助手中的笔，反映当时的社会风云，描绘民众的人生百态。自鲁迅的《狂人日记》开始，新与旧两种文学形态在历史上的地位便注定经历一次对立与统一的过程。其实，新与旧本身便是无法做出绝对区分的两个概念，而在中国现代文学史上，以鲁迅为旗帜的启蒙作家，竭力冲破旧有的桎梏，不断探索新的理念和表现手法；以张恨水为代表的通俗文学实践者，则在扬弃传统文学形式的基础上，尝试探寻传统与现代的融合。从文学发展的总体进程来看，无论是新事物的狂飙突进，还是旧事物的发展演化，均是对中国文化统一精神源头的继承与发展，只是不同文学创作者求索的过程各异，但大家殊途同归，都是在为中国现代文学的不断发展贡献自己的力量。
Literary Collision and Spiritual Unification under the Influence of the “May 4th” Era——Discussion on the Distinction between the May 4th New-style Short Stories and Traditional Novels
SUL, HEE-JUNG
School of Foreign Languages, Peking University, Beijing 100871, China
Abstract:
The "May 4th" period was a fierce collision between the new and the old, and a rapid jump in cognition. Literary practitioners used their pen to reflect the social situation at that time and portrayed the life of the people. Since Lu Xun's Diary of the Madman, the historical position of the new and old literary forms has been destined to undergo a process of opposition and unification. In fact, the new and the old are two concepts that cannot make an absolute distinction. In the history of Chinese modern and contemporary literature, the enlightenment writers with Lu Xun as the banner tried their best to break through the old ones and constantly explore new ideas and expressions. The practitioners of popular literature represented by Zhang Hen-shui tried to explore the fusion of tradition and modernity, discarding traditional literature forms. Judging from the overall process of literary development, whether it is the rapid development of new things or the development and evolution of old things, it is the inheritance and development of the spiritual source of the unity of Chinese culture. It's just that different literary creators have different search processes, but they all have the same goal and are all contributing to the continuous development of modern Chinese literature.
收稿日期: 2019-12-16
基金项目:
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