宋代花押与社会文化关联研究——以宋徽宗花押为例
段霄芸
河北大学 艺术学院, 河北 保定 071000
起止页码: 105--108页
DOI:
摘要：
花押从魏晋时期便已流行于人们日常生活中。宋徽宗书画作品颇多，与印章相比，其花押极具艺术性与个性。前人学者对宋徽宗花押的分析停留在书法的笔顺结构方面，结合当时的社会环境、时代特点、宋徽宗本人的政治活动来解析宋徽宗花押非常重要。
A Study on the Relationship between the Huaya and Social Culture in the Song Dynasty——Taking Huizong’s Huaya in the Song Dynasty as an Example
DUAN Xiao-yun
Art Institute, Hebei University, Baoding, Hebei 071000, China
Abstract:
Huaya (handwriting signs, marks used as personal art signature) had been popular in people's daily life since the Wei and Jin Dynasties. Emperor Huizong of the Song Dynasty has left a lot of works of calligraphy and painting. Compared with the seal, his Huaya have distinctively artistic and individual character. Essays by previous scholars analyzing Song Huizong's Huaya stay in the level of stroke order structure of his calligraphy. It is very important to analyze Song Huizong's Huaya in combination with the social environment at that time, the characteristics of the times, and the political activities of Song Huizong himself.
收稿日期: 2019-05-10
基金项目:
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