抗战文艺的“大众化”建构过程——以晋察冀边区为例（1937—1945）
崔水莲
河北大学 历史学院, 河北 保定 071000
起止页码: 14--20页
DOI:
摘要：
几乎所有文艺创作的转换与变迁都与战争相辅相成，晋察冀边区文化事业的发展亦是如此。抗战期间，边区的共产党与工农兵、革命文艺与民间文艺等发生了紧密互动性关联，随着边区军事斗争、民主政权和经济建设地不断发展，抗战文艺也由兴起、发展，开始走向成熟与繁荣，最终坚定地走出了一条大众化的人民文化艺术道路。
The “Popularization” Construction Process of the Anti-Japanese War Literature and Art——Taking the Jinchaji Border Area as an Example（1937—1945）
CUI Shui-lian
School of History, Hebei University, Baoding, Hebei 071000, China
Abstract:
The transformation and change of almost all literary and artistic creations are complementary to the war. The development of cultural undertakings in Jinchaji Border Area is also true. Japan has launched a war of aggression against China. The Communist Party in the border area has closely interacted with the constitutive elements of the workers, peasants and soldiers, revolutionary literature and folk literature and art. With the continuous development of military struggles, democratic regimes and economic construction in the border areas, the literature and art of the Anti-Japanese War has also arisen and developed, beginning to mature and prosper, and has finally firmly stepped into a popular road of people's culture and art.
收稿日期: 2019-06-06
基金项目:
参考文献：