改造与复归：新中国民间传统文艺的变迁——以河北昌黎皮影戏为例
李小东
燕山大学 马克思主义学院, 河北 秦皇岛 066004
起止页码: 96--98页
DOI:
摘要：
皮影戏的发展随着新中国社会、政治的变化而呈现出不同的态势。从整顿改造后的发展，到“文革”时期的销声，再到改革开放新时期的复归，贯穿着传统与现代、官方与民间的碰撞。新时代传统文化的复兴并非历史的简单重现，而是寻求传统与现代的融合，以建构支撑中国特色社会主义文化。
Reform and Restoration: Transformation of Folk Traditional Literature and Art during the People's Republic of China——Case of Changli Shadow Puppetry
LI Xiao-dong
College of Marxism, Yanshan University, Qinhuangdao, Hebei 066004, China
Abstract:
The development of shadow puppetry has shown different trends with the changes in social and political conditions in New China. From the development after the rectification and transformation, to the cancellation of voices in the period of "Cultural Revolution", to the return on the new era of reform and opening up, through the collision between tradition and modern, official and folk. The revival of traditional culture in the new era is not a simple re-emergence of history, but a search for the integration of tradition and modernity, so as to construct and support the socialist culture with Chinese characteristics.
收稿日期: 2019-01-13
基金项目: 河北省社会科学基金青年项目《集体化时期河北电影进村研究》（HB17LS021）
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