网络类型化写作的流弊与审美疲态
王纯
中南大学 文学与新闻传播学院, 湖南 长沙 410083
起止页码: 41--43页
DOI:
摘要：
网络类型化写作既属于分众化市场的产物，又是阅读市场纵深发展的不竭动力，两者相互作用。以艾布拉姆斯的“文学四要素”在文学现实下发生的深刻变迁作为基点，可知在虚拟性的赛博空间中，网络类型化写作呈现出快感叙事的生存样态，盲目追求“爽感”和“快感”间接表现了作者主体性的缺失，使虚空的艺术创新性遮掩了个性化的自由写作。同时，一味地从商业利益与读者欲求“领受指示”，直接折损了文学内在的生命力，导致理性的遮蔽与诗性正义的解构，消解了作品的深度空间，使网络类型化写作成为流水线式的同质化产品，阻拒了网络文学的良性发展与创新。
The Disadvantages and Aesthetic Fatigue of Network Typed Writing
WANG Chun
College of Literature and Journalism, Central South University, Changsha, Hunan 410083, China
Abstract:
Network typed writing is not only the product of market segmentation, but also the inexhaustible motive force for the in-depth development of reading market, and the two interact. Based on the profound changes of M·H·Abrams' "four elements of literature" in the literary reality, we can see that in the virtual cyberspace, network typed writing presents the survival mode of pleasure narration, and the blind pursuit of "coolness" and "pleasure" indirectly shows the author's lack of subjectivity, which makes the vain artistic innovation cover up the personalized free writing. At the same time, blindly seeking "instructions" from commercial interests and readers' desires directly undermines the inherent vitality of literature, leads to the cover of rationality and the deconstruction of poetic justice, dispels the deep space of works, makes online typed writing a streamlined homogeneous product, and hinders the benign development and innovation of online literature.
收稿日期: 2023-08-06
基金项目: 北京市重点实验室2020年度课题“人工智能语境下网络文学IP开发的现实转向研究”（NSNC-2020A07）
参考文献：
[1]葛红兵,肖青峰.小说类型理论与批评实践——小说类型学研究论纲[J].上海大学学报(社会科学版),2008(5):63-74.
[2]王光东,常方舟.网络小说类型专题研究[M].上海:东方出版中心,2019:79-112.
[3]童庆炳.文学理论教程[M].北京:高等教育出版社,2005:99-129.
[4]雷·韦勒克,奥·沃伦.文学理论[M].刘像愚,等,译.北京:生活·读书·新知三联书店,1983:44.
[5]黄鸣奋.新媒体与西方数码艺术理论[M].上海:学林出版社,2009:127-148.